![]() In Park Chan-wook's Oldboy, protagonist Oh Dae-su ( Choi Min-sik) is on his path of vengeance against the people who took so much from him, but he also understands the thugs in front of him are not his true enemies. This environment, when serving as the setting of a fight, can bring out the best - or worst - in a character. Hallways only serve one practical function: connecting two different rooms and allowing someone to get to the other side. Hallway fights can also be used to make explicit the virtues or vices of a character. Without that, the whole sequence would just be there for the sake of the visuals and to satisfy thirsty fanboys. ![]() By the end, it's already well established that the movie is about how hope outlives sacrifice, and we just know every Rebel soldier in that hallway is willing to match Jyn's heroism. Darth Vader cutting through the Rebels on Rogue One would not carry the emotional weight it does if we hadn't seen what it cost to get the Death Star plans to the Tantive IV. Naturally, the hallway fight only works if it's carefully woven into the overall narrative. The whole sequence lasts 10 exhilarating minutes, capping everything with a brief car chase at the end. The presence of firearms poses an extra danger, as just one wrong step could result in someone dying. Once again, the camera moves through the gaps created by the physical movement of the characters, always re-focusing on Lorraine after one of her enemies falls, as if to check to make sure she's okay before moving on. In David Leitch's Atomic Blonde, Charlize Theron's MI6 agent Lorraine Broughton faces a similar challenge while protecting Eddie Marsan's Spyglass, but with two main differences: She's in a stairwell, and she's going up against armed KGB thugs. The fact that it happens at the very end of the episode, after we've seen all of Murdock's failings and all he and his father have gone through in life, gives the scene an extra flavor: The protagonist gets his redemption by saving the boy - an allegory for his younger self. The scene is designed to look like it was shot in one take with no obvious edits - the camera sharing the same space the brawlers have to move - which puts the audience right in the middle of the action. The entire sequence takes place in a cramped-up hallway inside a building. ![]() In order to do that, though, he first needs to get through a whole squad of gangsters. The "Cut Man" episode of Daredevil finds Matt Murdock ( Charlie Cox) on a mission to rescue a kidnapped boy from the hands of the Russian mob. There are tons of recent examples of how impressive hallway fight scenes can be.
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